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ELLITA GAGNER

Lyric Mezzo Soprano

Based in Montreal QC Canada

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Biography

Canadian mezzo-soprano Ellita Gagner, currently based in Montreal Quebec, has been praised for her “gorgeous, warm tone and winning gamine personality” (Gianmarco Segato, La Scena Musicale). 

Ellita has performed leading and supporting roles across Canada, including Cendrillon (Cendrillon), L’Enfant (L’Enfant et les Sortilèges), Lysistrata (Lysistrata), Hansel (Hansel and Gretel), Dorabella (Così fan tutte), Tisbe (La Cenerentola), and Iphigenia (Disobedience). She has appeared with Opera Nova Scotia, the Brott Festival, London Community Orchestra, Uxbridge Messiah Singers and Orchestra, Chorus Niagara, GoodMess Opera, and Can of Soup Collective.

​A dedicated performer of contemporary music, Ellita has worked with leading and up and coming composers and librettists. She workshopped the role of Gabby for the Royal Swedish Opera’s Melancholia by Mikael Karlsson and Royce Vavrek, as well as Mimi in scenes from Indians on Vacation by Ian Cusson and Royce Vavrek.​

Ellita has been fortunate to be a part of several young artist programs in Canada and the United States. She was a Rebanks Fellow at the Royal Conservatory, and an Equilibrium Young Artist with Barbara Hannigan. In the summer of 2024, Ellita attended the Lunenburg Academy of Music Performance where she performed Ottorino Respighi’s Il Tramonto with a string quartet. Later in 2024, she participated as a finalist in the Opéra de Montréal National Auditions Gala. The 24-25 season also saw Ellita perform as the Soprano II solist in Bach's B minor mass with Chorus Niagara, perform various recitals with the Royal Conservatory and Alto Solo in the Messiah with the Uxbridge Messiah Singers.

In 2025, Ellita was a young artist with the Castleton Festival, where she had the opportunity to work with esteemed artists Paul Groves, Michelle DeYoung, Ben Malensek, and Robert Grayson. As part of the festival’s opera scenes program, she performed Octavian in the Presentation of the Rose from Der Rosenkavalier and Béatrice in the trio from Béatrice et Bénédict. 

She joins the Atelier Lyrique at the Opéra de Montréal this season where she will perform Tetka in Jenufa, cover Mercedes in Carmen, sing Miss Jessel in The Turn of the Screw and workshop the role of Célénia in La Tragédie d'Atys by Johnathan Dawe. She will also appear in concert singing songs 2 and 4 of Mahler's Lieder eines fahrenden Gesellen as a prelude to the Orchestre Métropolitain's performance of Maher 3 and in scenes staged by Stephen Lawless.

​She has been a young artist with Brott Opera and Manitoba Opera. She is a graduate of the Opera School at the University of Toronto and the University of Western. She's studied with Dr. Patricia Green, Dr. Lorna MacDonald and Adrianne Pieczonka and currently studies with Laura Brooks Rice and coaches with Martin Dubé and Richard Turp.

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Reviews

  • Ellita Gagner stood out for her clarity of voice and theatrical instinct

    - Adrian Rodriguez, La Scena Musical

  • Rich-toned mezzo-soprano Ellita Gagner is a discovery as the third acts Old Aunt

    -David Shengold, Classical Voice America

  • As Lucette, mezzo-soprano Ellita Gagner showed off a gorgeous, warm tone and winning, gamine personality

    -Gianmarco Segato, La Scena Musicale 

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Ombra mai fu - Xerxes - Handel

Bird Song - Cusson

Voi che sapete - Le Nozze di Figaro - Mozart

Listen

Wie du Warst - Der Rosenkavalier - Strauss

Que fais-tu blanche tourterelle - Romeo et Juliette - Gounod

Die zwei blauen augen - Mahler

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Photos

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  • MCO.avif

    Dido and Aeneas - Maritime Concert Opera

    Dido

    June 16, 2026 Shelburne Nova Scotia

    June 18, 2026 Lunenburg Nova Scotia

    June 20, 2026 Halifax Nova Scotia

    ​​

    Composed by Henry Purcell around 1689, Dido and Aeneas tells the tragic love story of Dido, Queen of Carthage, and the Trojan hero Aeneas.

    Dido falls in love with Aeneas, but a sorceress and her witches plot to destroy their happiness. Deceived into believing he must leave Carthage, Aeneas abandons Dido. Heartbroken, she sings the famous lament “When I am laid in earth” before dying. The work is admired for its emotional intensity, expressive music, and powerful portrayal of grief, despite its relatively short length.

  • The Turn of the Screw - NACO x Atelier Lyrique

    Miss Jessel

    February 28th, 2026  

    Dominion Chalmers, Ottawa

    Based on the novella by Henry James that tells the story of a young, inexperienced governess sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts haunting the house.  

  • La Tragedie d'Atys (workshop) - Ballet Opera Pantomime x Opera de Montreal

    Célénia

    March 2026

    Place des Arts, Montreal

    Drawing on the resources of opera, contemporary theatre, and dance, American composer Jonathan Dawe and multidisciplinary artist Stéphanie Jasmin rewrite the musical tragedy Atys (1676) by Jean-Baptiste Lully and Philippe Quinault, overlaying the traces of the original work with the outlines of a new narrative and new music, like a palimpsest. Drawing on the Baroque fascination with trompe-l’œil and the world of dreams, the show will incorporate the sounds of ancient instruments to move the audience imperceptibly between epochs and offer glimpses of bygone worlds. 

  • Jenufa - Opera de Montreal

    Tetka

    November, 22 and 27, 2025 at 7:30 PM
    Sunday, November 30, 2025 at 2 PM

    Salle Wilfrid-Pelletier

    Renowned Canadian filmmaker Atom Egoyan takes the helm for this highly anticipated production of Janáček’s Jenůfa, while Montreal’s very own Nicole Paiement leads the Orchestre Métropolitain as conductor.

    Materials & Craftsmanship

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