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Ellita Gagner

Mezzo-Soprano

"As Lucette, mezzo-soprano Ellita Gagner showed off a gorgeous, warm tone and winning, gamine personality" - Gianmarco Segato, La Scena Musicale 

“The more impulsive Dorabella sang with style”. - Opera Canada Magazine

"The tender and touching duet of Lucette (Gagner) and Pandolfe (Wallace) in the third act was nuanced singing at its finest" - Albert Wong, Ludwig Van Toronto

"[Her voice] It’s got a dark sexy quality that really suits Carmen" - John Gilkes, Opera Ramblings.

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Projects
Biography

About

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Biography

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Toronto-based mezzo-soprano Ellita Gagner has been praised for having a "gorgeous, warm tone and winning gamine personality" (Gianmarco Segato, La Scena Musicale). She has been seen in the roles of Cendrillon (Cendrillon, UofT Opera), L'Enfant (L'Enfant et less Sortileges), Lysistrata (Lysistrata, UofT Opera), Hansel (Hansel and Gretel, GoodMess Opera), Dorabella (Così fan tutte, Opera Nova Scotia/Brott Festival), Announcer (Gallantry, UoT Opera), Peep Bo (The Mikado, UWOpera), Tisbe (La Cenerentola, Brott Festival), and Iphigenia (Disobedience, UoT Opera). She has workshopped the role of Gabby for the Royal Swedish Opera’s Melancholia by Mikael Karlsson and librettist Royce Vavrek, and Mimi in scenes from Indians on Vacation by Ian Cusson and Royce Vavrek. Ellita was a young artist with Manitoba Opera in the 2022 DEAP program where she created the short film, Love Songs to the Piano.

 

Outside of operatic repertoire, Ellita sang as Alto soloist in Handel’s Messiah with the Uxbridge Messiah Singers and Orchestra in 2022, and in concert with the London Community Orchestra as their concerto competition winner in 2019. Ellita holds a Bachelor of Music from the University of Western Ontario where she studied with acclaimed mezzo-soprano Patricia Green, and is a graduate of the Opera School at the University of Toronto, where she studied under renowned Canadian soprano and pedagogue, Lorna MacDonald. In August 2024, Ellita was an Equilibrium Young Artist at the Lunenburg Academy of Music Performance (LAMP) studying 20th century chamber music under Barbara Hannigan. In the 24-25 season will see her return to Uxbridge as the Alto soloist in their Messiah, and as a Rebanks Fellow at the Glenn Gould School performing in recital and as the title role in L’Enfant et les Sortilèges.

Artistic Statement

I believe in the importance of bringing the sounds of classical voice to new audiences. As an artist from rural Ontario, it was by chance that I was exposed to and educated in classical music. It is fundamental to my art that every performance features an underlying authenticity that reflects the human experience. I'm driven to create approachable and accessible spaces in the operatic repertoire, bringing it back to its roots in community and collective experience. It is powerful to touch someone who knows and loves opera but to connect with someone like my Dad, who grew up on Johnny Cash and AC/DC, is an opportunity to open doors for another person to enjoy this rich and diverse art. 

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University of Toronto Comedic Trilogy 2022, photo by Richard Lu

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Repertoire

Click "Read More" to find a list

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Artistic Statement
Repetoire
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Info
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UofT Opera 2023 - photo credit: Richard Lu

Upcoming

September 2024 - August 2025: Rebanks Family Fellowship and International Residency

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November 1st and 2nd, 2024: L'Enfant in L'Enfant et les Sortilèges (Mazzolini Hall at the Royal Conservatory of Music)

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November 20, 2024: Opera de Montreal Finalist Gala

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December 16th and 17th, 2024: Alto Soloist in The Messiah (Uxbridge Messiah Singers and Orchestra)​​​

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January 6-18: Castleton Festival

Art Song & German Lieder Recital, January 11, 2025 @ 2:00pm 

Opera Scenes Performance, January 18, 2025 at 2:00 PM

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January 25, 2025: Metropolitan Opera Laffont Competition, Tulsa District Competitor

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April 2, 2025 @ 7:30pm: Rebanks Concert, Il Tramonto by Respighi with Quartet (Mazzolini Hall at the Royal Conservatory of Music)

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Let's get to know each other

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Contact

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The development of this website, including many photos were generously supported by the Ontario Arts Council

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